Both chords are related by the minor quality. So from “B” take the 1st, 3rd and 5th note = B D Fīuild a chord from the 3rd degree of the minor scale “C”Ĭhord from 4th degree is “D”, stacking thirds: D F A = D minorĬhord from 5th degree is “E”, stacking thirds: E G B = E minorĬhord from 6th degree is “F”, stacking thirds: F A C = F majorĬhord from 7th degree is “G”, stacking thirds: G B D = G majorĪ minor, B diminished, C major, D minor, E minor, F major and G major.Īll these chords can be used to create an A minor chord progression. Chord 2 in the key of C major is D minor seventh, while chord 2 in the key of C minor is D minor seventh flat five. Then we build a chord of the second degree of the minor scale “B”Īgain from the B chord we stack 2 thirds on top of each other. This mediant chords root / starting note is the 3rd note (or scale degree). Youll find options for arpeggiating the chords and playing over. The C minor chord III is the Eb major chord, and contains the notes Eb, G, and Bb. You can also trigger the 1st and 2nd inversions as well as the 7th chords for the chords in a key. A simple online chord player to play the chords of all major and minor keys ( the diatonic chords) directly in your browser. So if you start at “A” you take the 1st note (A) then stack a third (C) and stack another third (E) Chords in Keys: Chord Player for All Major & Minor Keys. Compositions in major keys sound upbeat, happy and up for it because their chord progressions come to rest on the major tonic.To build the first chord of the minor scale we stack 2 thirds on top of each other. Therefore, if we wanted to accompany these 1 5 4 changes, all wed need to do is change from the C major scale to C natural minor over that minor 4 chord.

The opposite is true for a song written in a major key. Makes sense doesn’t it?Ī song written in a minor key has a sad, dark and melancholic vibe because the chord progressions resolve to the minor tonic chord of the piece. This tonic chords root / starting note is the 1st note (or scale degree) of. Or we move the Em shape up eight frets at 8-10-10-8-8-8. The C minor chord i is the C minor chord, and contains the notes C, Eb, and G. For example the Am shape moves up three frets to become Cm X35543. What this means is, because relative scales have the same notes, they have the same set of diatonic chords built from each note. Common C minor shape (barre required) One common way to play Cm is by using barre chord minor shapes. As you can see the notes are identical, the root is different. The same applies to C major (C, D, E, F, G, A, B) and its relative minor A (A, B, C, D, E, F, G,). All Cm chords C dominant 7th C7 C dominant 7th is often abbreviated C7. Clearly, the basic chords/triads in the key of C major are C major, D minor, E minor, F major, G major, A minor, and B diminished. G is 5 semitones down from C, and therefore 7 semitones up from it. A tip is to play this chord with a capo instead, for example capo 3: X35543. Remember that an octave is made up of 12 semitones In the chord of C Minor, the fifth is G. The root note is placed on the 5th string. The only difference between the two is the starting note which acts as the root and tonal centre of the scale.įor example, the G major scale (G, A, B, C, D, E, F#) and E minor (E, F#, G, A, B, C, D) contain the same notes so are relative scales. All C Major chords C minor Cm C minor is often abbreviated Cm. Chord 2: D Minor (Dm) Chord 3: E Minor (Em) Chord 4: F Major (F) Chord 5: G Major (G) Chord 6: A Minor (Am) Chord 7: B Diminished (Bº, Bdim) Wrapping it up. The most important triads Cmin (i): C-3, Eb3, G-3 The most important four note chords. To play Cm in its standard form, start by placing your index finger on the 3rd fret, covering your high E, B, G, D and A, but barring the A (5th string) and. This simply means that they share the same set of notes. We created a plug-in for you that will turbo-charge your productions. For every major scale, there is a relative minor scale.

All chords in c minor